Netta Hopes New Song ‘Big Love’ Can Bring ‘Comfort and Light’ Amid the Israel-Hamas War

Israel’s Netta Barzilai has not found it easy to create during the 13 months since the Oct. 7 Hamas attack on her homeland and the ensuing war. But a brand new single, “Big Love,” brings the 2018 Eurovision Song Contest winner’s thoughts and emotions into focus.

“My job, my calling, is to bring people together over light and enhance the light in them,” Netta tells Billboard via Zoom from her apartment in Jaffa, an ancient port city near Tel Aviv. “I believe that music and art, especially in dark times, is important to any free world. It’s important for people to consume and create.”

Yet, she adds, “I felt this year I’m in no mood to create. The war isn’t something inspiring. It’s the darkest part of humanity. This year I’ve witnessed pain in amounts and in magnitude that I could not function. I tried, but I could not write. I’m a very happy person, and I tried all the mechanisms that I know that make me happy and they didn’t work. Usually when I walk in a studio and create it feels like the right thing, and every time I walked in the studio (after Oct. 7), it didn’t.”

With the uncharacteristically ethereal and moody “Big Love” – out now on S-Curve Records — Netta found a way to address her circumstances, acknowledging the situation and declaring in its chorus that, “This world may crumble but I’m by your side, with a big love.”

“This is a song that was written with friends out of desperation,” explains Netta, who composed the track with producer Theron “Neff-u” Feemster, Paul Duncan and Avshalom Ariel. “It’s for me to feel stronger and for me to just let myself know that this is my answer to the darkness growing inside — of all of us. War and conflict have always been part of human nature…and it’s soul-crushing. And in order for us to fight it we have to create light. (The song) is very personal, and it’s the little that I can do just to put it out there. But it is what it is.”

The sentiments of “Big Love,” Netta adds, aren’t limited to one side of the conflict or the other. “It’s to anyone who needs it. In my song I say if I had the moon and stars I would get them for you. If I could sing and stop the war, I would do it for you, if it could be that easy. It might sound cliché, but I really believe that making music is a calling, and I don’t think you have control over who finds power in it and who finds comfort in it. I hope whoever needs comfort anywhere finds comfort and light in this.”

On Oct. 7, Netta was slated to open for Bruno Mars in Tel Aviv and film a video during the show; those plans were scuttled, of course, and in the wake of the attack she found herself in the wrenching position of helping to take care of children whose families were tending to the dead and injured, as well as singing at funerals. Netta also scratched plans for a world tour and an English language album she had recorded and returned to Israel full-time — “I needed to be here,” she says — and released a Hebrew album, Hakol Alai (All On Me). She appeared as a contestant on the 10th season of Rokdim Im Kokhavim, Israel’s Dancing With the Stars, and also performed at a May rally in Tel Aviv calling for the release of hostages still held by Hamas.

Netta also watched this year’s Eurovision, which was marked by protests over Israel’s involvement, while contestant Eden Golan faced threats and harassment throughout the competition.

“I felt really bad for her,” Netta says. “I thought she was a champ dealing with so much hate. When a girl stands on stage and she sings and so many people are trying to bring her down…I think it ruined Eurovision. Eurovision is supposed to be about having a safe space for art and a safe space for people to unite and be brought together. Eurovision is supposed to be the answer to, yes, there are geographical debates and politicians have their wars, but this should be the place to show them that we can talk and we can understand. It was very, very sad.”

Netta says her own situation in Israel right now is safe, which she considers “a gift.” She’s not yet sure if “Big Love” will rekindle her muse, but she’s confident that whatever comes next will have a similar purpose.

“I find small hopes,” she says. “As goofy and as funny and as colorful as my music has always been, it’s always been about love, and it’s always been about light. I’m so sad the world isn’t a perfect place. It crushes me. I really wish it was different, but…it is so complex. But I believe in humans. I believe they can restore and rebuild. I have to.”