Another year, another failed public performance rights bill. Will the U.S. remain a global outlier forever?
In the wake of Universal Music Group's lawsuit against Believe alleging the distribution of fraudulent content, Ten2 Media's founders break down the debate around distribution fraud.
Grammy-nominated guitarist Marcus King shares how he's been able to foster a community for saying sober, especially on the road.
As investors flood the music AI space, new companies are using the influx to help companies and artists complete vital, labor-intensive tasks.
The platform's refusal to work with Merlin on licensing deals sets a "dangerous precedent" for independent artists and their labels, writes A2IM's Richard James Burgess.
For artists, touring can be a brutal business — and music companies must do more to prioritize their well-being. The authors of Sound Advice have some ideas how.
As investors flood the music AI space, new companies are using the influx to help redefine the music business.
Though multiple bills have been passed and proposed to bar prosecutors from using rappers’ lyrics against them, a significant loophole has yet to be addressed.
With the American Music Fairness Act back in the spotlight, A2IM president Richard James Burgess writes that AM/FM stations should have to pay for the songs they play.
Through DiMA, streamers are pushing the false idea that the Mechanical Licensing Collective was meant to be “neutral” when it comes to enforcing copyright owners' rights.
