Between the the majors suing Suno and Udio, the ELVIS Act protecting voices against deepfakes and “BBL Drizzy” setting legal precedent, it’s been a big year for AI music.
Over the last two days, Drake has alleged that UMG artificially inflated the streams of Kendrick Lamar's "Not Like Us." Here, Billboard analyzes his claims.
After UMG's $500 million copyright infringement lawsuit against Believe, Billboard explores what serious distributor reform would look like — and if it is a good idea.
As many as “75% of popular songs on TikTok started with a creator marketing campaign,” guesses one major label marketer. Is that a problem?
After a summer marked by lawsuits and reports of slow adoption, the initial honeymoon or "hype" phase of generative AI music is over. That doesn't mean it's the end.
Mash-ups and AI edits of Kamala Harris with songs by Beyonce, Charli XCX and more show that music fans don't just want to play music — they want to play with it too.
