David Furnish Calls Chappell Roan ‘The Most Brilliant Artist’ Ahead of Her Elton John Oscars Party Performance

When looking back on his husband Sir Elton John‘s storied career in the music industry, David Furnish points out that there is a lot to be proud of. Yet, when thinking about that legacy in connection to the future, Furnish settles on one aspect of John’s career that makes him proudest: the pair’s work with the Elton John AIDS Foundation.

Dedicated to ending the HIV/AIDS epidemic for good, the organization — which was founded by the singer in 1992 — makes headlines every year with their glitzy, star-studded Academy Awards Viewing Party. Over the course of 33 years, the annual benefit, held on Oscars night, has helped raise over $100 million for the organization’s fight against the virus.

“Things go in and out of fashion and change with the times,” Furnish explains. “But every year, to see that everybody keeps stepping up? That just blows our minds.”

The 2025 iteration of the event promises to be just as much of a spectacle — along with being co-hosted by John, Furnish, and actors Jean Smart, Sheryl Lee Ralph, Neil Patrick Harris and David Burtka, the viewing party is also set to feature an exclusive performance from pop phenomenon Chappell Roan. (Tickets to the party are still available on the organization’s website.)

“We’re always passionate about bringing in great, new, rising talent where we can,” Furnish says of the “Pink Pony Club” singer, before pausing and correcting himself with a laugh. “Well, she’s already risen pretty quickly, and I’d say she’s arrived.”

Below, Furnish speaks with Billboard ahead of the annual fundraiser about his admiration for Roan, the evolution of the gala and why the fight against HIV & AIDS related stigma is far from over.

This year is the 33rd Oscars viewing party that Elton has thrown — in the time that you’ve been involved, how have you seen this party evolve into what it is today?

It’s been an extraordinarily gratifying and rewarding experience. I mean, the fact that we continue to host the premiere fundraising event on Oscar night, that we have that tentpole for our organization… not only does it give us a superb fundraising opportunity to raise much-needed funds, but it also is a tremendous profile opportunity to, one one of the biggest entertainment nights of the year, get the support that we do from the people that come to the party. 

One of the most important things in the fight against HIV and AIDS is that we are not finished yet. We’ve seen tremendous progress and tremendous success with the medications, and a lot of people are under the impression that this disease is essentially cured. But consistency is the most important thing in this fight. We have an end in sight, we have our eye focused on the finish line, and we have all of the science and medication that we need to basically end AIDS for good. But we have to be consistent, we have to keep going. 

I always say to Elton, “We always have tremendous attendance, we always have a great auction, you’d think after doing it for so many years it might kind of taper off.” But I kind of turn cartwheels as I come out the door every year, because I think, “Oh my god, this is as big or bigger than it’s ever been.” Every year, it continues to get such an extraordinary level of support from the sponsors, from the ticket buyers, from the auction donors, from the performers, from the people who help co-host.

Speaking of performers, you guys got an excellent one this year. You and Elton have been close with Chappell Roan over the last few months — what made you decide to bring her in as the performer this year?

Oh, loads of reasons! First and foremost, she is an unbelievably brilliant performer. We went to see her at the Brixton Academy in London — her command of the stage, her band, her way of delivering her songs, her connection with the audience, her voice, her performance, her visual, everything about her is just like, “Wow.”

She’s also had a fantastic year! She’s really risen so quickly, and has been received so enthusiastically, with great song after great song. I mean, look at that best new artist Grammy this year! But I’m sure that she’s had a lot of requests for her time, and she’s at that stage when you have to keep investing in yourself to grow — and the fact that she so identifies with our cause, and relates so much with our journey and our mission of making sure we put our arms around everybody and that no one gets left behind, is amazing.

It’s that magical combination of the most brilliant artist, at such an extraordinary moment in their career, who is also so connected with this issue. We are just counting our lucky stars. It’s so great that she was available, and so happy to do it, and so joyful about understanding what it really means and wanting to make the best contribution. 

We’re at a cultural moment where the stigma-combatting work organizations like yours do is more vital than ever. Can you describe what the EJAF is doing to actively fight against anti-LGBTQ+ and AIDS-related stigma on a daily basis?

Yeah, we want to share the positive messaging that you live a full, happy, healthy life with HIV. When properly treated, you don’t pass the virus on to anyone else, it is nothing to be afraid of and it is nothing to be ashamed of. The programs we’re able to take the money [from this event] and invest in all go a very long way.

It’s about communication, education, breaking down stigma, outreach within key communities and key populations — making sure people have access to testing and know their HIV status, and then once they know their HIV status, having access to the right treatment to deal with the virus headfirst. If they don’t test positive, then it’s about being able to use the latest advancements in science to protect themselves from contracting HIV. If people test positive, then we make sure they have the appropriate counseling and support so that they can live positively and proudly with HIV.

It’s a disease that took hold and thrived in the shadows and corridors of shame. In the It’s a Sin TV series in Britain, Callum Howells’ character says, “I feel so dirty.” There was so much shame associated with it, and we’ve gone so far beyond that now, and we need to continue to reach out and find the key groups that are affected so we can make sure that none of that messaging continues to linger or stick around. We want to make people feel empowered and supported. 

This is a celebration on top of a celebration, because Elton is nominated for best original song at this year’s ceremony alongside Brandi Carlile for “Never Too Late.” What does that mean to the two of you, to have Elton at this stage of his career still receiving these major nods?

We’re just so thrilled. There’s so many amazing things connected with nomination — it’s not just Elton, but also Brandi and Andrew Watt and Bernie Taupin, and they are like extended family for Elton and me. The fact that the song became the closing point for the documentary I directed with R.J. Cutler, and even the overall messaging of saying that it’s never too late to change your life and find hope, that there can always be a positive outcome and a happy ending if you work for it; the Oscar represents all of that, to us. Also, oh my god, it’s an Oscar nomination! It’s such an amazing honor, and Elton is incredibly proud. 

He and Bernie got the Oscar [for The Lion King‘s “Can You Feel the Love Tonight?”] as the first major award they’d won as songwriters — they’d never won a Grammy at that point. This time around, for Brandi and Andrew to be a part of the process of creating the song, Elton is so excited for them, as well as for himself and Bernie. Yeah, I mean, we’re all just very thrilled. 

And what an excellent prelude to Elton and Brandi’s album coming out later this year, too. 

Yeah! It’s a wonderful album. Brandi started the process on this song before the album started, because I screened the documentary for her the summer before everybody went into the studio to start on the album. I knew Brandi was a huge fan and understood Elton’s history so well, so I wanted her to see the film. She was so profoundly moved by it, that she wrote this lyric before she went into the studio and started working on it. It’s been an amazing journey.