Lady Gaga’s Olympics Opening Ceremony Choreographer Says Performance Was Almost Called Off Due to Rain

Though it definitely made for a soggy journey down the Seine, the steady rain in Paris during Friday night’s lavish opening ceremonies for the 2024 Summer Olympics did not deter Lady Gaga from stealing the show early in the four-hour spectacle. And while Gaga’s eye-popping take on Zizi Jeanmaire’s “Mon Truc en Plumes” (“My Thing With Feathers”) appeared to dodge the raindrops, that’s because it was pre-taped to avoid any potential weather-related issues according to choreographer and head of dance for the Olympics and Paralympics Maud le Pladec.

Le Pladec spoke to Variety about the intense preparations for the song-and-dance routine, explaining that Gaga filmed her performance hours before the athletes’ elaborate boat trip down Paris’ iconic river due to safety reasons. Gaga’s vocals were performed live as she made her way up and down a giant set of stairs along with dancers carrying oversized pom poms.

Gaga’s was one of a dozen original performances created by Le Pladec and Olympics artistic director Thomas Jolly, with Le Pladec saying that the singer’s four-minute set was easily the “most artistically challenging” of the bunch. “Unfortunately, it was the only [performance] that, for safety reasons, we had to pre-record late in the afternoon, once we knew for sure that it was going to rain — we had minute-by-minute updates, we had never watched the weather forecast so closely in our lives,” Le Pladec said. “We assessed that it was going to be too dangerous for performers, even with a few drops of rain. [Gaga] wanted to do it absolutely so we preferred to pre-record it rather than cancel it.”

Le Pladec said the performance surface, including that giant set of stairs, would have been too slippery for Gaga — who was wearing high heels — to perform on. “We had to be extremely cautious,” Le Pladec said, noting that while she didn’t play live, Gaga was on site during the opening ceremonies and watched her bit on screen from her dressing room before returning to her hotel.

Not long after, Gaga wrote on X, “I am also humbled to be asked by the Olympics organizing committee to sing such a special French song—a song to honor the French people and their tremendous history of art, music, and theatre… Although I am not a French artist, I have always felt a very special connection with French people and singing French music—I wanted nothing more than to create a performance that would warm the heart of France, celebrate French art and music, and on such a momentous occasion remind everyone of one of the most magical cities on earth—Paris.”

Gaga noted that her team rented the pom poms from a “real French cabaret” theater’s archive, collaborated with Dior to create the custom costumes using naturally molted feathers and that she studied French choreography to put her “modern twist” on a French classic. “I rehearsed tirelessly to study a joyful French dance, brushing up on some old skills—I bet you didn’t know I used to dance at a 60’s French party on the lower east side when I was first starting out! I hope you love this performance as much as I do,” she added. “And to everyone in France, thank you so much for welcoming me to your country to sing in honor of you—it’s a gift I’ll never forget! Congratulations to all the athletes who are competing in this year’s Olympic Games! It is my supreme honor to sing for you and cheer you on!! Watching the Olympic Games always makes me cry! Your talent is unimaginable. Let the games begin!”

In keeping with her perfectionist streak, Le Pladec said that the singer was adamant about delivering a spectacle that would feel “authentic” and pay tribute to the French performance tradition. That explains her decision to do a cabaret-style act featuring singing and dancing with a mix of humor and glamour. The choreographer said Gaga — a “workhorse and a perfectionist” — was working until the final moments on her vocals and steps after training for weeks in Los Angeles with a number of dancers who flew in from Paris.

“She wanted to make a show à la Française,” Le Pladec said. “She puts so much effort and thought into everything she does and she has a very developed creative process.”

The party didn’t end after the performance, either. Over the weekend, Gaga also surprised French Little Monsters when she blasted what she said were two new songs from her as yet untitled seventh studio album from a laptop while dancing through the roof of her limo. At press time no additional information was available on those songs.