Peso Pluma Scores First Global Chart Top 10 With Yng Lvcas Collab ‘La Bebe’
While Miley Cyrus’ “Flowers” continues its rule atop the Billboard Global 200 and Billboard Global Excl. U.S. charts – it’s now up to 10 weeks at No. 1 on each tally – activity throughout the surveys shows a variety of artists making impacts. One of those is Peso Pluma, who blasts into the top 10 of both April 8-dated rankings for the first time.
“La Bebe,” by Yng Lvcas and Peso Pluma, climbs to No. 6 on Global Excl. U.S. and No. 7 on the Global 200. In the week ending March 30, the reggaetón track drew 61 million streams, up 90%, according to Luminate. It’s the first global chart entry for YNG Lvcas. For the latter, it builds upon many months of momentum.
Peso Pluma first reached the global charts with “Siempre Pendientes,” a collaboration with Luis R Conriquez. That song spent three weeks on both lists last September, peaking at No. 155 on Global Excl. U.S. and No. 174 on the Global 200.
The track dropped off both charts seven months ago, but Peso Pluma now counts six songs on each April 8-dated global ranking, none lower than No. 60. And while that haul started just two-and-a-half months ago with the debut of “AMG” with Gabito Ballesteros and Natanel Cano, the best could be yet to come.
Just last week, “Ella Baila Sola” with Eslabon Armando debuted in the top 20 of both charts; it jumps to No. 11 on this week’s Global 200 and No. 12 on Global Excl. U.S. One spot away from becoming his second top 10 in two weeks, rising into either charts’ upper echelon would mark the first time a Mexican act would double-up in the same week.
Further, “El Azul,” Peso Pluma’s collaboration with American producer Junior H, zooms to No. 53 on Global Excl. U.S. and No. 59 on the Global 200. Rising 39 positions on the former chart and 42 on the latter, the song nears each list’s top 40, on track to become Peso Pluma’s sixth title to reach the region.
Peso Pluma has buffed up his global portfolio in 2023 with a wide range of collaborations, but his solo prowess shouldn’t be underestimated. “Por Las Noches” is his first solo chart hit, holding in the top 40 of the Global 200. And even his top 10 duet with Yng Lvcas shows evidence of his contribution to the song’s high rank: “La Bebe” originated as a solo Yng Lvcas track, released in 2021. Picking up momentum at the top of the year, the song hit both global charts, climbing among the lower half of each list last month. The remix featuring Peso Pluma arrived March 17, propelling the song from No. 103 to No. 21, and now to No. 7 on the Global 200, and similarly from No. 74 to No. 6 across two weeks on Global Excl. U.S.
Peso Pluma’s wide-ranging global success can, in part, be attributed to his musical flexibility. Most of his globally charting hits fit the mold of regional Mexican tradition, while “La Bebe,” his first top 10, aligns with reggaetón. Both have become increasingly popular, both globally and in the U.S., where he counts five songs on this week’s domestic-based Billboard Hot 100.
And while reggaetón might first appear to be the more U.S.-friendly genre with its production sharing elements with American pop and hip-hop, it’s one of Peso Pluma’s regional Mexican tracks that leads the way on the Hot 100. “Ella Baila Sola” hangs at No. 31, over “La Bebe” at No. 34. This week, All of his regional Mexican songs skew 27-28% of their worldwide streams from the U.S. and 72-73% international, while “La Bebe” splits 22% U.S. and 78% beyond.
As for Peso Pluma’s global standings, all five of his charting regional Mexican songs rank among the top 10 of Billboard’s Mexico Songs chart, logically enough, but don’t appear on any other Hits of the World tallies. “La Bebe,” however, with its top 10 placement on both global charts, finds itself on rankings for Bolivia, Chile, Colombia, Ecuador and Peru, in addition to its No. 1 status on Mexico Songs.
Eric Frankenberg
Billboard