Say ‘Arriverderci’ to ‘White Lotus’ Season Two With This House Edit of the Show’s Theme Song

As we collectively process yesterday’s season finale of The White Lotus — What happened between Ethan and Daphne on Isola Bella? Will Greg still inherit Tonya’s money? Did Cameron ever get his suitcase? — the show’s theme song has gotten a house remix from Los Angeles-based producer Enamour.

On the edit, which you can listen to here, Enamour artist adds layers of percussion and a house bounce to the already hypnotically strange original, “Renaissance (Main Title Theme).” The remix extends the track to six and half minutes, making good use of the source material’s spooky turkey gobble vocals.

The Enamour remix has gotten rinsed by Mikey Lion, who played it during a set last weekend in Los Angeles. Forthcoming Enamour releases are coming via Factory 93, Anjuadeep, Days Like Nights.

The original White Lotus season two theme was composed by Cristobal Tapia De Veer, a Chilean-born Canadian film and television composer, arranger, producer and multi-instrumentalist who’s also worked on the scores for Utopia, Black Mirror and the first season of White Lotus, the theme song for which was a variation on that for season two.

For the second season, Tapia De Veer beefed up the theme’s beat and added some primal urgency to the shrieking vocals, with this original serving as something of a dance track in and of itself.

In related news, White Lotus star Jennifer Coolidge took part in a conversation with Ariana Grande during which she credited the pop star for helping launch her recent career renaissance.

“I’m curious if you know that when people ask about how my life has changed … Yes, I got to do White Lotus, but I think it really started with you asking me to be in the ‘Thank U, Next”‘ video,” the actress told Grande as part of her Entertainment Weekly Entertainers of the Year cover story published today (Dec. 12).

“I mean, from there I got Promising Young Woman and this whole thing,” she continued. “You were sort of the instigator. I really believe that. I think if you hadn’t put me in ‘Thank U, Next’ and done that imitation, I don’t think I would be here where I am.”