St Vincent announces October 2024 UK and European tour

St. Vincent has announced a new set of UK and European tour dates, to take place in October. Read on for all the details.

• READ MORE: St. Vincent: “When I think about music that I love, I don’t give a shit what the artist was thinking

It is the latest leg of the ‘All Born Screaming’ tour, named after the musician’s latest album, which was released in April. The tour has already seen her hit the road with opener Heartworms, playing in London’s Royal Albert Hall at the start of June, as well as other dates around Europe.

Now, a new set of dates have been confirmed, kicking off in Dublin’s 3 Olympia Theater on October 13, before heading to Manchester, Barcelona, Madrid and wrapping in Milan on October 22.

For those wondering what to expect from the shows, St. Vincent told NME earlier this year: “I’m gonna fuck ‘em up. I’m gonna fuck ‘em up.”

Tickets for the new shows go on pre-sale at 10am on Tuesday (June 25), with general sale beginning at 10am on Friday (June 28). You can get yours here.

St. Vincent will play:

OCTOBER
13 – Dublin, 3 Olympia Theater
14 – Manchester, Albert Hall
18 – Barcelona, Razzmatazz
20 – Madrid, Riviera
22 – Milan, Fabrique

St. Vincent is also touring North America in August and September – find all the dates and details of that here, and remaining tickets are here.

NME caught St. Vincent’s show at the Royal Albert Hall on June 1. It earned a four-star review: “Throughout the pulverising 90-minute set, Clark wields her guitar like a weapon and attacks the microphone with a restless urgency.”

“Big, cathartic breakdowns teeter on the edge of chaos, but Clark and her four-piece band never let things fall apart completely. It’s gorgeous to watch, but it demands participation as well. With music this charged, there’s simply no standing on the sidelines.”

In another four-star review, this time for the ‘All Born Screaming’ album, NME wrote: “The album’s front section is thrashing and lacerating – a dispatch from the abyss – as she revels in morbid imagery that speaks to a period in which she was besieged by loss (true to mercurial form, she’s declined to be drawn on specifics). And then something strange happens. With the melted Bond theme ‘Violent Times’, she ushers the listener through a secret door that leads to a mellower vibe.”

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