These Hot 100 Hits Are Ineligible for 2025 Grammys — Here’s What Versions Were Submitted Instead

From Beyoncé‘s “Texas Hold ‘Em” to Sabrina Carpenter‘s “Espresso,” several 2024 Billboard Hot 100 hits are strong contenders for top honors at the 2025 Grammys — but there are also a handful of older songs that could pop up when nominations are announced on Nov. 8.

According to the rules and guidelines handbook for the 67th annual Grammy Awards, recordings must be commercially released, nationally distributed, and available from any date within the eligibility period (Sept. 16, 2023, to Aug. 30, 2024) through at least Jan. 3, 2025 – the date of this Grammy year’s final-ballot voting deadline. Furthermore, unless otherwise instructed upon submission, the academy will use the original album version of a song for screening and verification purposes. This means that a hit like Tate McRae‘s “Greedy” — which was released on Sept. 15, 2023 — is ineligible for the 2025 Grammys in its original form, but can still be considered for a nomination in a different iteration, such as an acoustic or live version.

It’s not uncommon for an alternate version of a song to earn a Grammy nod — especially if the track in question gained prominence after the eligibility period for its original version closed. Live albums and single recordings have been nominated (and won) in the past, especially in the decades before the Academy enacted major overhauls of the ceremony’s categories.

In 2011, the last year the Grammy for best female pop vocal performance was presented, a live version of Beyoncé’s “Halo” earned a nod. The year prior, the original studio version of the song won in that category, becoming Beyoncé’s first and only victory in the pop field. The following year, Adele swept the ceremony with her 21 album — including a best pop solo performance win for “Someone Like You” — making the album and the original version of its tracks ineligible for future ceremonies. In 2013, she triumphed with a second consecutive win in the category thanks to a live version of “Set Fire to the Rain” recorded at the Royal Albert Hall. The British powerhouse would go on to win this particular award twice more — “Hello” (2017) and “Easy On Me” (2023) — making her the all-time biggest winner in this category.

In 2015, a whopping three of the five nominated tracks in best pop solo performance were alternate versions: Pharrell Williams‘ “Happy (Live),” John Legend‘s “All of Me (Live),” and Sam Smith‘s “Stay With Me (Darkchild Version).” The Williams and Legend tracks were both released during the eligibility period for the 2014 Grammys but reached No. 1 on the Hot 100 during the eligibility period for the following year’s ceremony. The original version of Smith’s smash was eligible, but his label (Capitol Records) opted to submit the Darkchild version instead. Ultimately, Williams beat out the competition and took home his first and only solo win in the pop field.

In 2019, a solo live version of Camila Cabello‘s “Havana,” which originally featured a rap verse from Young Thug, reaped a bid in this category, but it lost to Lady Gaga‘s “Joanne (Where Do You Think You’re Going?)” — a piano version of the title track from her Joanne LP, which earned a pair of nods the year prior.

Before best pop duo/group performance was introduced in 2012, live versions helped two bands win best pop performance by a duo or group with vocals. Maroon 5 won with “This Love (Live)” in 2006, and Train won with “Hey, Soul Sister (Live)” in 2011.

Outside of the pop categories, live versions often do well in the rock field. Since it was established in 1990, four of the winners for best metal performance have been live renditions, with the most recent being Judas Priest‘s 2010 victory for “Dissident Aggressor (Live).” Back in 2001, before the best female rock vocal performance category was discontinued, Sheryl Crow won with a live version of “There Goes the Neighborhood,” the original version of which lost in the same category at the 1999 ceremony.

The R&B categories are a bit frostier toward alternate versions. Just one live rendition has ever won in any R&B performance category; Stevie Wonder and Take 6‘s “Love’s in Need of Love Today (Live)” — a cover of the opening track from 1976’s Songs in the Key of Life — took home best R&B performance by a duo or group with vocals in 2003. Beyoncé earned a nod for best female R&B vocal performance in 2009 for her live rendition of her 2003 hit “Me, Myself and I.” (She lost to Alicia Keys‘ “Superwoman.”)

In 2023, Latto‘s “Big Energy (Live)” became the first live rendition to earn a nomination for best melodic rap performance, ultimately losing to Future, Drake and Tems‘ “Wait for U.”

Live and alternate versions face the toughest battle in the general field categories of record and song of the year. Sam Smith’s aforementioned “Stay With Me (Darkchild Version)” won both record and song of the year, but no live version has ever been nominated (or won) in either category.

Here’s a round-up of 2024 Hot 100 hits that were submitted under alternate versions to skirt eligibility rules for the 2025 Grammys.